When in 1967 Japanese low-budget director Seijun Suzuki was fired by the Nikkatsu production company, it seemed to be the end of a so far fantastic career in the movies. Between 1956 and 1967 Suzuki made forty films there; some of these were quite successful. While for Nikkatsu Studios, it obviously was just another personnel […]
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Category: B. R. Film
The Self and Community in Star Trek: Voyager by Susan M. Bernardo (2022)
The three chapters that author Bernardo has created for the book at hand all have their focal point on varying ideas of identity formation, on being either rooted to the past, a memory, in a sense of location, narrative or strong emotional ties – be they human or even Borg in origin. In this Star […]
Marvel Comics Library. Avengers. Vol. 1. 1963–1965 by Kurt Busiek and Kevin Feige (2022)
Merely six months after the last XXL version of the Marvel Comics Library edition – featuring Spiderman – arrived, Taschen is out to surprise us again. This time with an equally massive edition of the most powerful superheroes that joined forces and became THE AVENGERS. Again, the first 20 (!) comic books that feature the […]
Rock’n’Roll Plays Itself: A Screen History by John Scanlan (2022)
When in the mid-1950s rock’n’roll as both commercial force and incarnation of teenage style invaded the charts and cinema screens, the new category was a bit too much for most common and well-aged (British and American) entertainment shows and representations on screen. In the early days, neither TV nor the film industry would grasp the […]
The Women of Hammer Horror: A Biographical Dictionary and Filmography by Robert Michael Cotter (2021...
No matter how a casting for British Hammer Film Productions – Europe’s epicenter of crude horror and gothic films between the 1950s and 1970s – ended, to be invited in the first place, as an actress, you had to be extremely beautiful with a bosomy figure to remember. And even if those women on the […]
Hollywood’s Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick
To understand the impact movies and in particularly the American movie industry has had since the 1920s, not just the messages, directors or entertaining subjects of the films have been important, but also the manner how the product film has been presented all over the world. For that purpose, the well-known website Cinema Treasures has […]
Triumph Over Containment: American Film in the 1950s by Robert P. Kolker (2021)
There are very many books on both the American post-war years and the films of the long 1950s, usually with the emphasis on a genre or a sociological topic. The book at hand, however, has a somewhat special approach, as it is preoccupied with the decade and its implications on the American public, as experienced […]
The Science of Sci-Fi Cinema: Essays on the Art and Principles of Ten Films by Vincent Piturro (ed.)...
Originally conceived in 2010 as a short-lived project to pair a film enthusiast with the respective scientific expert on the film’s subject after presenting a science fiction movie, the idea of dialogue and curiosity, in cooperation with the Denver Museum of Nature and Science, still is around today. And with each film presentation hosted by […]
Music in Cinema by Michel Chion (2021)
For those interested not only in the finished product “motion picture,” but to the students and fans who consider movie audio and its use an art form, the name Michel Chion will definitively sound familiar. The French scholar, filmmaker, and composer who has written more than thirty titles on the topics sound, film and music […]









