Few other artists connected with auteur cinema have left such a record of often disturbing, mythical, surreal, and sometimes more or less incomprehensible movies as Alejandro Jodorowsky, Chilean director extraordinaire, born in 1929. If the label “cult director” can be applied to just a few artists, he definitely is in that league. “Jodorwsky has invested […]
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Tag: Film Studies
Film Noir and Los Angeles: Urban History and the Dark Imaginary by Sean W. Maher (2022)
Movies of the film noir genre, shot in the US, usually had two favorite locations when it came to large cities and a setting that would breathe the air of crime, provide sinister plots, gunmen and desperate main characters: the pictures were either set in New York City or Los Angeles. As with Los Angeles, […]
Suzuki Seijun and Postwar Japanese Cinema by William Carroll (2022)
When in 1968 Japanese low-budget director Seijun Suzuki was fired by the Nikkatsu production company, it seemed to be the end of a so far fantastic career in the movies. Between 1956 and 1967 Suzuki made forty films there; some of these were quite successful. While for Nikkatsu Studios, it obviously was just another personnel […]
The Women of Hammer Horror: A Biographical Dictionary and Filmography by Robert Michael Cotter (2021...
No matter how a casting for British Hammer Film Productions – Europe’s epicenter of crude horror and gothic films between the 1950s and 1970s – ended, to be invited in the first place, as an actress, you had to be extremely beautiful with a bosomy figure to remember. And even if those women on the […]
Hollywood’s Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick
To understand the impact movies and in particular the American movie industry had since the 1920s, not just the messages, directors or entertaining subjects of the films were important, but also the manner how the product film was presented all over the world. For that purpose, the well-known website Cinema Treasures has collected data and […]
The Science of Sci-Fi Cinema: Essays on the Art and Principles of Ten Films by Vincent Piturro (ed.)...
Originally conceived in 2010 as a short-lived project to pair a film enthusiast with the respective scientific expert on the film’s subject after presenting a science fiction movie, the idea of dialogue and curiosity, in cooperation with the Denver Museum of Nature and Science, still is around today. And with each film presentation hosted by […]
Hollywood’s Melodramatic Imagination: Film Noir, the Western and Other Genres … by Geoff Mayer (2022
In four chapters, author Geoff Mayer dives deep into the meaning and the many faces of the melodrama, highlighting several aspects and decades that made audiences familiar with the endless confrontation of virtue against reckless action, true love against intrigue or simply “good” versus “bad” characters, parties or companies. Here we learn about the main […]
Dangerous Visions and New Worlds: Radical Science Fiction, 1950–1985 by Andrew Nette and Iain McInty
Kicking off roughly in the early 1950s, British and American science fiction authors of the new breed, labeled New Wave later, brought massive changes to the genre and changed the way the future of mankind was perceived. They spoke for a growing readership that was hungry for new visions and speculative prospects, now being prepared […]
Broadcasting Hollywood: The Struggle Over Feature Films on Early TV by Jennifer Porst (2021)
Even if the topic of Porst’s book, with regard to today’s video watching agenda that includes streaming media, Netflix, or any Internet-based platform consulted to watch movies, documentaries or series, may look a bit outdated at first sight, Broadcasting Hollywood actually is a highly interesting study, as it chronicles how we as audiences originally “learned” […]