Generally, storytelling, narratives, modes of presentation and the story behind it, define most works of fiction and movie plots alike. As those techniques changed over the decades (as did audiences who step by step were introduced to this), new and exiting ways of shooting film and presenting characters entered popular forms of entertainment. The simple, […]
You are browsing archives for
Tag: Film Noir
The Essence of Film Noir: The Style and Themes of Cinema’s Dark Genre by Diana Royer (2022)
Part of the unique intensity of noir and neo-noir movies is rooted in the combination of masterful scripts, extraordinary directors and the skillful highlighting of the psychological aspects wherever a protagonist needs to take action. But often is sabotaged while trying, to simplify one of many film noir plots. By carefully investigating the genre, several […]
Noir Fiction and Film: Diversions and Misdirections by Lee Clark Mitchell (2022)
With some interesting observations and a huge collection of data about genres in the book under discussion here, there are some good and fresh points concerning style, method and procedure, even when hard-boiled fiction and films noir are reduced to their most basic configurations. Naturally, there are variations of the stereotypes, and with regard to […]
Film Noir and Los Angeles: Urban History and the Dark Imaginary by Sean W. Maher (2022)
Movies of the film noir genre, shot in the US, usually had two favorite locations when it came to large cities and a setting that would breathe the air of crime, provide sinister plots, gunmen and desperate main characters: the pictures were either set in New York City or Los Angeles. As with Los Angeles, […]
Triumph Over Containment: American Film in the 1950s by Robert P. Kolker (2021)
There are very many books on both the American post-war years and the films of the long 1950s, usually with the emphasis on a genre or a sociological topic. The book at hand, however, has a somewhat special approach, as it is preoccupied with the decade and its implications on the American public, as experienced […]
British Thrillers, 1950–1979 … by Franz Antony Clinton (2020)
The era from the early 1950s to the mid-1960s probably was the busiest period of the British film industry. Many thrillers were shot in those years, including a great number of movies (and B movies) that often featured American actors; this arrangement would draw audiences to cinemas in England and simultaneously ensure interest for moviegoers […]
Law Enforcement in American Cinema, 1894-1952 by George Beck (2020)
In this short title, author George Beck takes a close look at some movies of the first half of the twentieth century that employed representations of American law enforcement, starting with silent era productions and chronologically end with films noir. Five sections altogether and a final coda chapter on roughly 130 pages consider stereotypes, good […]
Film Noir Style: The Killer 1940s by Kimberly Truhler (2020)
What may come to mind first whenever the visual aspects of the genre film noir are discussed, may be the dark atmosphere, the sharp contrast of light and shadow, and people in desperate situations whose actions echoed brilliantly the many original hard-boiled scripts and novel adaptations usually associated with the stlye. One aspect halfway neglected, […]
Musik im klassischen Film noir by Janina Müller (German) (2019)
Janina Müller’s study (“Music in classic film noir”) takes a close look at the scores of mostly the popular films noir and a few rather unknown ones. Here it means studying, juxtaposing and evaluating the scores of several films, while their uniqueness in comparison with standard Hollywood movies is questioned. As there is hardly one […]