In four chapters, author Geoff Mayer dives deep into the meaning and the many faces of the melodrama, highlighting several aspects and decades that made audiences familiar with the endless confrontation of virtue against reckless action, true love against intrigue or simply “good” versus “bad” characters, parties or companies. Here we learn about the main […]
You are browsing archives for
Tag: Film Studies
Dangerous Visions and New Worlds: Radical Science Fiction, 1950–1985 by Andrew Nette and Iain McInty
Kicking off roughly in the early 1950s, British and American science fiction authors of the new breed, labeled New Wave later, brought massive changes to the genre and changed the way the future of mankind was perceived. They spoke for a growing readership that was hungry for new visions and speculative prospects, now being prepared […]
Broadcasting Hollywood: The Struggle Over Feature Films on Early TV by Jennifer Porst (2021)
Even if the topic of Porst’s book, with regard to today’s video watching agenda that includes streaming media, Netflix, or any Internet-based platform consulted to watch movies, documentaries or series, may look a bit outdated at first sight, Broadcasting Hollywood actually is a highly interesting study, as it chronicles how we as audiences originally “learned” […]
Deconstructing Dr. Strangelove: The Secret History of Nuclear War Films by Sean M. Maloney (2020)
The Cold War, with all of its threats and visions of mass destruction and apocalyptic scenarios appears far away these days. However, when the menace of nuclear weapons that possibly would be fired if wrong decisions were made by a few incompetent men in the military back in the 1960s, stories, novels and mostly movies […]
The Modern Myths: Adventures in the Machinery of the Popular Imagination by Philip Ball (2021)
The days when (ancient) myths – be they Greek, Nordic or from whatever region – were rather important to man as they served as guidelines and offered counsel are long gone; or so it seems. Because popular culture has created books, tales and stories that are inhabited by artificial men, werewolves, vampires, ghost hunters or […]
British Thrillers, 1950–1979 … by Franz Antony Clinton (2020)
The era from the early 1950s to the mid-1960s probably was the busiest period of the British film industry. Many thrillers were shot in those years, including a great number of movies (and B movies) that often featured American actors; this arrangement would draw audiences to cinemas in England and simultaneously ensure interest for moviegoers […]
Representations of Working-Class Masculinities in Post-War British Culture: The Left Behind by Matth...
When considering his main subjects, author Matthew Crowley emphasizes that there are many different ways to live a certain working-class masculinity, as there never was just one single “traditional” experience or one simple, unified path that would lead to such an experience for every English male working-class person in the mid-20th century. In his study […]
Star Attractions: Twentieth-Century Movie Magazines and Global Fandom by T. J. Mcdonald and L. Lanck...
Ever since motion pictures became a crucial part of popular culture, certain consumers decided that simply watching those products and going to the theaters was not enough. Accordingly, editors of the earliest movie magazines quickly realized that gossip, behind-the-scenes talk and all sorts or rumors surrounding those new media stars obviously were at least as […]
Disney’s Star Wars: Forces of Production, Promotion, and Reception by W. Proctor and R. McCulloch (e
The movie Star Wars (1977) and the evolving Star Wars universe never were just films or simple family entertainment. To many fans, seemingly it became a surrogate religion or a way of life. The merchandise, action figurines, literature or cartoon adaptations and spin-offs earned George Lucas and Lucasfilm fortune after fortune (he directed and produced […]