Authors Catherine and David Stafford’s new title on one of Britain’s most important bass players, Ronnie Lane (1946-1997), successfully fills some information gaps rock music lovers may have encountered, concerning show biz and London’s music scene of the 1960s and 70s. Their Anymore for Anymore: The Ronnie Lane Story tells of his humble beginnings as […]
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Tag: The Who
The British Blues Network: Adoption, Emulation, and Creativity by Andrew Kellett (2017)
After WWII, with the British Empire finally devoid of its former power and importance, young British blues enthusiasts invented their own vision of a new country, they – metaphorically – chose as their preferred home country an idealized (American) life, namely in creating the very personal America with lots of possibilities and adventure. As all […]
Quadrophenia and Mod(ern) Culture by Pamela Thurschwell (ed.) (2018)
Now, this is probably the best book on Mod culture so far. If not, it is the one with the best academic approach to it and a real understanding of the subculture that goes beyond pure distanced sociological writing and simplifying banalities (that are used too often in other publications on the topic). The British […]
The Who and Philosophy by Rocco Gennaro and Casey Harison (eds.) (2016)
According to the editors, this is the first study of some philosophical aspects that are connected with the rock band The Who (while there already are many books that deal with meaning and criticism in the lyrics and works of other famous pop stars). Naturally, all the authors share a common admiration for the band […]
Working Class Heroes: Rock Music and British Society… by David Simonelli (2012)
David Simonelli, associate professor of history at Youngstown State University, must have plundered archive after archive, at least the ones of the NME, Melody Maker, Billboard and the BBC as well. At the center of his study is the approach to the shifting image of a young generation of musicians and their fans, by then […]