When in movies a crime is committed against a citizen and neither the police force nor judges seem able or willing to catch and punish the assailant, mostly two options are presented to the victim/protagonist: to accept that the law and its divisions can fail sometimes, or to start a crusade against the aggressor all […]
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Category: B. R. Film
The Western Films of Robert Mitchum. Hollywood’s Cowboy Rebel by Gene Freese (2020)
Maybe one of the reasons why actor Robert Mitchum looked so comfortable and at home in western movies, was the fact that he bred horses, preferred the casual cowboy outfit off the film set, and seemingly simply played himself, whenever he took the part of the cowboy, the Sheriff, the outlaw or the weather-beaten stranger […]
Representations of Working-Class Masculinities in Post-War British Culture: The Left Behind by Matth...
When considering his main subjects, author Matthew Crowley emphasizes that there are many different ways to live a certain working-class masculinity, as there never was just one single “traditional” experience or one simple, unified path that would lead to such an experience for every English male working-class person in the mid-20th century. In his study […]
Crime and Spy Jazz on Screen Since 1971. A History and Discography by Derrick Bang (2020)
In the second volume of his extensive study on crime and spy movie jazz, author Bang devotes his knowledge to the years 1971 to 2019. His strategy of presenting these scores changes a bit in the present volume, as even though in the early 1970s movies were still shown in movie theaters almost exclusively, just […]
Film Noir Style: The Killer 1940s by Kimberly Truhler (2020)
What may come to mind first whenever the visual aspects of the genre film noir are discussed, may be the dark atmosphere, the sharp contrast of light and shadow, and people in desperate situations whose actions echo brilliantly the many original hard-boiled scripts and novel adaptations usually associated with the stlye. One aspect halfway neglected […]
Crime and Spy Jazz on Screen 1950-1970: A History and Discography by Derrick Bang (2020)
The period of American sound film until roughly the mid-1940s was dominated by soundtracks and extradiegetic audio based on mostly sweet string orchestras, allusions to classical compositions and ballads. Then, in the 1950s and 60s, soundtrack composers increasingly used popular music of the decade before for police/detective/spy action productions, which would be in large part […]
The Rise and Fall of American Science Fiction, from the 1920s to the 1960s by Gary Westfahl (2019)
Even though a title such as “The Rise and Fall” usually has readers prepared for a large, heavy volume that will provide audiences with loads of information amassed in a mostly boring manner, Westfahl’s book on a literary genre differs from that stereotype. In fact, the four major parts (and a short epilogue) read very […]
Teenage Thunder – A Front Row Look at the 1950s Teenpics by Mark Thomas McGee (2020)
The teenager, not present in the immediate post-war years, in the early 1950s suddenly became a financial force and a very visible part of American culture. That also meant clueless parents, disgusted older generations and horrified school teachers, as teenage delinquency and violence ostensibly exploded in the mid-fifties. It did not take long before movie […]
Robots in American Popular Culture by Steve Carper (2019)
The idea of building, commanding and using artificial creatures, based on mechanical components that would assist mankind doing anything from work, transportation or pleasure goes back to very early stories of creation such as the Gilgamesh epic. And mythology from ancient Greece and other regions. That idea also demonstrates man’s wish to become the creator […]