There is one particular modern genre that is strongly connected with the history of Italian filmmaking: the genre of “the yellow ones,” in Italian: “gialli”. The countless movies, dime novels, detective stories and murder mysteries in Italy are subsumed under that titles, similar to “pulp” novels, and crime fiction that got its name from the […]
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Category: B. R. Film
Film Noir and Los Angeles: Urban History and the Dark Imaginary by Sean W. Maher (2022)
Movies of the film noir genre, shot in the US, usually had two favorite locations when it came to large cities and a setting that would breathe the air of crime, provide sinister plots, gunmen and desperate main characters: the pictures were either set in New York City or Los Angeles. As with Los Angeles, […]
21st Century Retro: “Mad Men” and 1960s America in Film and Television by Debarchana Baruah (2021)
Revivals of cultural and retrospectively oriented tendencies in music, fashion and design have been around for a long time. Many contemporary American and European TV productions successfully revisit the 1940s, 1950s and very often the 1960s. The shows differ greatly in their amount of historical correctness and the many important events that influence the protagonists […]
Space Exploration on Film by Paul Meehan (2022)
With science-fiction movies as part of everyday film culture as stream, DVD or in theaters today, we may forget the humble beginnings of the genre, and with respect to countless technical obstacles of space missions could wonder how films, some almost a century ago, confronted these problems in their times. Paul Meehan’s title stresses “science […]
Suzuki Seijun and Postwar Japanese Cinema by William Carroll (2022)
When in 1968 Japanese low-budget director Seijun Suzuki was fired by the Nikkatsu production company, it seemed to be the end of a so far fantastic career in the movies. Between 1956 and 1967 Suzuki made forty films there; some of these were quite successful. While for Nikkatsu Studios, it obviously was just another personnel […]
The Self and Community in Star Trek: Voyager by Susan M. Bernardo (2022)
The three chapters that author Bernardo has created for the book at hand all have their focal point on varying ideas of identity formation, on being either rooted to the past, a memory, in a sense of location, narrative or strong emotional ties – be they human or even Borg in origin. In this Star […]
Marvel Comics Library. Avengers. Vol. 1. 1963–1965 by Kurt Busiek and Kevin Feige (2022)
Merely six months after the last XXL version of the Marvel Comics Library edition – featuring Spiderman – arrived, Taschen is out to surprise us again. This time with an equally massive edition of the most powerful superheroes that joined forces and became THE AVENGERS. Again, the first 20 (!) comic books that feature the […]
Rock’n’Roll Plays Itself: A Screen History by John Scanlan (2022)
When in the mid-1950s rock’n’roll as both commercial force and incarnation of teenage style invaded the charts and cinema screens, the new category was a bit too much for most common and well-aged (British and American) entertainment shows and representations on screen. In the early days, neither TV nor the film industry would grasp the […]
The Women of Hammer Horror: A Biographical Dictionary and Filmography by Robert Michael Cotter (2021...
No matter how a casting for British Hammer Film Productions – Europe’s epicenter of crude horror and gothic films between the 1950s and 1970s – ended, to be invited in the first place, as an actress, you had to be extremely beautiful with a bosomy figure to remember. And even if those women on the […]