The label “Old-Time Music” refers to American-made music, instrumental and with vocals, that was performed nationwide in public and privately from roughly the early 1800s until the early 1940s, although it became mostly a regional style in the early 20th century. Those (basically all white) musical groups usually featured string instruments such as mandolins, banjos, […]
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Tag: Grand Ole Opry
Bill Monroe: The Life and Music of the Blue Grass Man by Tom Ewing (2018)
When Bill Smith Monroe of Rosine, Kentucky, at the age of eight decided to play an instrument like many in his musical family did, nobody would have thought he would forever change country music. As singer and instrumentalist he not only revolutionized mandolin playing as he could play the instrument faster than anybody else: he […]
Folk Music in Overdrive: A Primer on Traditional Country and Bluegrass Artists by Ivan Tribe (2018)
By now (actually since the 1970s and thanks to a number of folk revivals) it is no secret that the geographical region of the Upland South was actually exploding with musical talent at the beginning of the 1920s. The states of Kentucky, Tennessee, Virginia and Carolina produced countless masters and some tuneful virtuosi. The artists […]
Don’t Give Your Heart to a Rambler: My Life with Jimmy Martin… by Barbara Martin Stephens (2017)
There are several unusual aspects of this very honest and at times hard to read biography. Not because the author Barbara Martin Stephens, once the wife of famous bluegrass musician Jimmy Martin (1927-2005), chose to write in incomprehensible sentences or wrote her story very badly. The reason this title has some very difficult parts has […]
Lonesome Melodies: The Lives and Music of the Stanley Brothers by David W. Johnson (2014)
“… In constant sorrow, all through his days….” Now, if that passage sounds familiar to you, you will probably like David Johnson’s deep and solid book on The Stanley Brothers. For that chorus is from a recording of the song “Man of Constant Sorrow,” originally done by Ralph Stanley in 1951 and the composition (which […]