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Crime and Spy Jazz on Screen 1950-1970: A History and Discography by Derrick Bang (2020)

The brief period of American sound film until roughly the mid-1940s was dominated by soundtracks and extradiegetic audio based on mostly sweet string orchestras, allusions to classical compositions and ballads. Then, in the 1950s and 60s, soundtrack composers increasingly used popular music of the decades before for police/detective/spy action productions, which would be in large […]