Kirsten Day’s title is the latest publication in the series ‘Screening Antiquity’ by Edinburgh University Press, the only series of academic monographs focusing on new research concerning the reception of the ancient world in film and television and the conception of antiquity in popular culture. At first, there would be reservations connecting the book’s title […]
You are browsing archives for
Category: B. R. Film
Out of the Past: Lacan and Film Noir by Ben Tyrer (2016)
There is little doubt today, that film noir research and the spread and development of psychoanalysis have boosted academic Film Studies to a large extent; for a short period in the early 1970s, the psychoanalytical approach to Film Studies even seemed to be the only method that brought results. For film and psychoanalysis had a […]
Keep Watching the Skies! American Science Fiction Movies of the Fifties by Bill Warren (2016)
The 1950s were a unique time when many aggressors, real and imaginative, seemingly threatened not only the people and the political system of the United States, but Earth itself. One product of these anxieties were science fiction movies that more often than not gave (not so pretty) faces and (not so nice) names to the […]
Hoo-Doo Cowboys and Bronze Buckaroos… by Michael K. Johnson (2014)
The westward expansion in the 18th and 19th century is well documented and was done by (what we believe) an entirely white/Caucasian group of people who took their chances and finally settled the West; if we believe the many tales, novels and most importantly the countless western movies. But actually, there were also some others, […]
Film Noir by Homer B. Pettey and R. Barton Palmer (eds.) (2016)
Recent publications on film noir tell of the lively interest in the style/genre/cycle. And ever since film noir was subject to definition (and analysis) by French critics, the question of what exactly it is, a style, a genre, a cycle, a movement, has not been answered in total. “Film noir,” as reports Homer B. Pettey, […]
Class, Crime and International Film Noir: Globalizing … by Dennis Broe (2014)
There are many different approaches to the analysis of film noir, since film studies today deal with almost any facet, be it technical, stylistic or director specific. Dennis Broe, however, has the emphasis on the social-cultural and most of all the working-class aspects of these films. He locates the origins of film noir to a […]
Rock ‘N’ Film. Cinema’s Dance With Popular Music by David E. James (2016)
While already in the 1940s the Hollywood musical artistically integrated film, acting, dancing and singing, it also had another very important feature. “With sound, the movies had become the major means of disseminating popular songs, both those composed for Broadway musicals that were subsequently filmed and those written by the studio’s own teams of lyricists.” […]
Columbia Noir: A Complete Filmography, 1940-1962 by Gene Blottner (2015)
Columbia Pictures, today a part of Sony Pictures Entertainment, has released literally tons of movies. Of those, Gene Blottner lists a selection of altogether 169 pictures, and they are all associated with film noir in one way or another, while they are from the genres of Westerns, science-fiction, drama, detective story, comedy or horror movie. […]
Mitchum, Mexico and the Good Neighbours Era by Liam White (2014)
Luckily, there are a great number of famous noir films, and many good actors that left their mark on the whole genre. Nevertheless, author White approaches those films mainly as plain detective movies and drama, very much the way they were labeled when they came out. In his opinion there are certain features that can […]