Pedric Killeen, a media scholar, arts journalist and lecturer on film and digital cultures from Ireland, brings some fresh ideas to the field of film noir research. His basic idea here is to approach the individual/main protagonist and read him and his actions in terms of a certain paralysis or state of shock he experiences […]
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American Film Noir Genres, Characters, and Settings by Harold Hellwig (2023)
Strongly influenced by domestic hard-boiled novels of the 1920s and 1930s, one of the most American film genres, film noir, had its boom time in the 1940s. Generally believed to have mostly vanished from studios and theaters by the late 1950s, the genre briefly resurfaces every few years in the so-called “neo noirs” of various […]
The Essence of Film Noir: The Style and Themes of Cinema’s Dark Genre by Diana Royer (2022)
Part of the unique intensity of noir and neo-noir movies is rooted in the combination of masterful scripts, extraordinary directors and the skillful highlighting of the psychological aspects wherever a protagonist needs to take action. But often is sabotaged while trying, to simplify one of many film noir plots. By carefully investigating the genre, several […]
Film Noir and Los Angeles: Urban History and the Dark Imaginary by Sean W. Maher (2022)
Movies of the film noir genre, shot in the US, usually had two favorite locations when it came to large cities and a setting that would breathe the air of crime, provide sinister plots, gunmen and desperate main characters: the pictures were either set in New York City or Los Angeles. As with Los Angeles, […]
Hollywood’s Melodramatic Imagination: Film Noir, the Western and Other Genres … by Geoff Mayer (2022
In four chapters, author Geoff Mayer dives deep into the meaning and the many faces of the melodrama, highlighting several aspects and decades that made audiences familiar with the endless confrontation of virtue against reckless action, true love against intrigue or simply “good” versus “bad” characters, parties or companies. Here we learn about the main […]
Film Noir Style: The Killer 1940s by Kimberly Truhler (2020)
What may come to mind first whenever the visual aspects of the genre film noir are discussed, may be the dark atmosphere, the sharp contrast of light and shadow, and people in desperate situations whose actions echoed brilliantly the many original hard-boiled scripts and novel adaptations usually associated with the stlye. One aspect halfway neglected, […]
Musik im klassischen Film noir by Janina Müller (German) (2019)
Janina Müller’s study (“Music in classic film noir”) takes a close look at the scores of mostly the popular films noir and a few rather unknown ones. Here it means studying, juxtaposing and evaluating the scores of several films, while their uniqueness in comparison with standard Hollywood movies is questioned. As there is hardly one […]
The Red and the Black: American Film Noir in the 1950s by Robert Miklitsch (2017)
Film noir in the 1950s is a very special period in the genre‘s/style’s history, since for some experts film noir ended just then, while for others it almost died then and had finally vanished completely in the early 1960s. (To resurface as neo-noir in the early 1980s). In the resent book the author tries to […]
Into the Dark. The Hidden World of Film Noir, 1941-1950 by Mark A. Vieira (2016)
On more than 300 pages the reader of Into the Dark most of all acquires one thing: a very strong visual impression of what film noir looked like. For the high-quality prints selected by Mark Vieira hold a powerful, dark beauty and tell of the fascination with film noir. Here is a good balance of […]